Voir la musique
Citadelles et Mazenod, 2022
Une monographie consacrée à la représentation picturale, du XVIe au XXe siècle, de la musique, des instruments, des gestes, des musiciens, des chanteurs, des lieux de pratique, soulignant la dimension symbolique, religieuse et mythologique de cet univers sonore. Prix coup de cœur 2018 (Prix France Musique des Muses). Prix du Cercle Montherlant 2018.Français - 416 Pages - 25 x 29 cm - 2.6 Kg
In Terezín, a Nazi camp where 33,000 people died, imprisoned musicians and artists created a remarkable cultural community that persevered against all odds. Our Will to Live brings us into this astonishing world. It presents the first full translation of concert critiques written by accomplished musician, scholar―and Terezín prisoner―Viktor Ullmann (1898–1944). Ullmann describes Terezín performances by ensembles, youth choirs and solo artists including luminaries of European cabaret and opera, plus works by a generation of promising composers silenced too soon: Gideon Klein, Pavel Haas, Hans Krása and others.English - 328 Pages - 20.3 x 2.5 x 25.5 cm - 1.6 kg
Michael Forsyth, Ahmet Ertug
Ertug & Kocabiyik, 2010
This limited edition large format book portrays 22 great European opera houses with stunning images by the world renowned photographer, Ahmet Ertug. The book commences with Classical, Baroque and Rococo theaters - miraculous early survivors - from Palladio's exquisite Teatro Olimpico, Vicenza, the forerunner of later theaters, to the charming court theaters at Drottningholm in Stockholm, and the beautiful Margrave's Opera House, Bayreuth and San Carlo in Naples. The grand nineteenth-century opera houses portrayed include the Paris Opera House (Palais Garnier), the rebuilt Teatro La Fenice, Venice, and Prague State Opera. Finally, the book portrays recent architectural masterpieces by some of the world's leading architects including opera houses at Valencia, Lyon and Oslo. To accompany Ertug's remarkable photography, Michael Forsyth describes the architecture of each opera house and its social and musical history, including stories of human passion and intrigue that they can tell. Forsyth begins with an introduction that traces the rise of opera, the evolution of opera house architecture, and the musical and social demands of different nations and periods, with the remarkable effects these had on opera house acoustics.
256 Pages - English - 33.5 cm x 4.6 cm x 41 cm - 9 Kg
The success of the Ballets Russes was legendary, but there is more to the legend than its name: the actual story, the adventure - conceived by one man and lived by a few-that lasted only eight seasons and three summers. From 1911 to 1914, Serge Diaghilev, driven by conviction and stubbornness, turned his vision into reality. He collaborated with Leon Bakst, Igor Stravinsky, and Pablo Picasso (to name a few) to create an explosion of creativity in Western Europe the likes of which had never been seen in the world of art. Thanks to Diaghilev's Ballets Russes, the most illustrious page in the history of ballet, one of the most glorious moments in the adventure of art, was written. To turn the pages of this stunning tome is to follow Diaghilev's on his creative quest, one that continues to influence art, theater, ballet, and fashion to this day.
English - 236 pages - 49,8 x 40,1 x 79 cm - 9 kg
ISBN : 9781614280149
There is a stain on the inside of the cover - picture upon request - firstname.lastname@example.org