Cerf's provocative photography plays with the human body, art and perception. Includes fetish photographs, constructions, and tableaux: a close-up of a lipstick-covered, pierced nipple; the bound backside of a woman juxtaposed with a pink balloon bound with cord; masked models posed in surreal stage sets, etc. Includes an essay by Georges Marbeck, 'Le Chinois vert leve ses filets.' Text in Japanese and French.