The artistic collaboration of photographer Bettina Rheims and writer/art critic Serge Bramly began in 1991 with Chambre Close. It lives off the stimulating contrast between text and images. The cultivated literary tone of Monsieur X's fictional "confessions" is set against photographs that speak a far clearer language. Bettina Rheims has a command of this language, which tells of female eroticism and exhibitionism as no one else does.